The Bible Code II: The Countdown, by Michael Drosnin


Sir Isaac Newton knew about the Bible code 300 hundred years ago when he described it as "a cryptogram set by the Almighty?.The riddle of the God-head, the riddle of past and future events divinely fore-ordained."

Newton was captivated with the idea that the Torah could contain a code that could foretell future events, but until the invention of the computer the task of deciphering this code was almost impossible. But "The Bible code had a time-lock. It could not be opened until the computer was invented?The Bible code is like a giant jigsaw puzzle, and we have only a handful of the pieces."

Journalist and reporter formerly for the Washington Post, Michael Drosnin, and Dr. Eliyahu Rips, a famous Israeli mathematician, explain their search for the Code Key that will decipher the Bible code. Like the Rosetta stone found at the mouth of the Nile 200 years ago, perhaps the code key would unlock the language of all mankind. Rips describes the structure of the Torah as a three-dimensional cylinder that "you just lay flat like a map" to read it, and "by eliminating "...all the spaces between the words, and [restoring] the Bible to the original form...the way Moses received the Bible from God - contiguous, without break of words" he is able to decipher the code using a computer program that he wrote.

In a gripping personal testimony of his search for the truth, Drosnin awakes us to the possibility that our future is already written. But if it is already prophesied, can we change our future? Drosnin's mission is to warn us that the End of Days is upon us, and that the Bible code tells us that it will be in 2006. Only if we find the key to unlock the message that was hidden from us can we hope to change our destiny.

Two important concepts are presented in the book, first that world events we are witnessing are actually The End of Days as prophesied in the Bible; and second, that man's capacity for language was a gift to mankind from (God) the Lord of the code, and that our language gene came from an advanced race not of this Earth.

"The secret of the genetic code is revealed in Genesis, where God tells Abraham, 'I will bless thee greatly, and I will greatly multiply thy seed as the stars of Heaven, and as the sand that is upon the seashore; and in thy seed shall all the nations of the world be blessed."

That our DNA contains a gene that was sent to Earth in a vehicle from the cosmos, from an advanced race of men, is revealed in the code of the Torah and this theory is not new. About 25 years ago, Nobel laureate biologist Francis Crick published a theory called the Directed Panspermia.

This was a breath-taking read, and I highly recommend this book. Drosnin is objective and honest, and I like that.

Cindy DeJager is a writer and book reviewer for Rosetta Stone Press, publisher of The Many Waters, by Lauretta Lueck. www.RosettaStonePress.com">http://www.RosettaStonePress.com


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Clive King, who has died aged 94, was the author of several children's books and is best known for Stig of the Dump, the original and imaginative fantasy story of the friendship between Barney, a boy of the modern era, with Stig, a boy from long, long ago who lives in a nearby chalk pit in a home created from things he can creatively and skilfully repurpose from waste, including a chimney from tin cans and windows from glass bottles....

Films based on books might have the intolerable disadvantage of people smugly claiming "the book is so much better", but they also result in a huge boost at the box office.

According to new research from the Publishers Association, films based on books take 44% more at the box office in the UK and 53% more worldwide than original screenplays.

..."In short, published material is the basis of 52% of top UK films in the last 10 years, and accounts for an even higher share of revenue from these leading performers, at 61% of UK box office gross and 65% of worldwide gross," the report reads.

The New York Times has a rare interview with Anne Tyler to coincide with the publication of her latest novel, Clock Dance. Tyler rarely does interviews because she dislikes the way they make her feel the next morning. "I'll go upstairs to my writing room to do my regular stint of work and I'll probably hear myself blathering on about writing and I won't do a very good job that day. I always say that the way you write a novel is for the first 83 drafts you pretend that nobody is ever, ever going to read it."

The good news for fans is that Tyler has no plans to retire: "What happens is six months go by after I finish a book," she said "and I start to go out of my mind. I have no hobbies, I don't garden, I hate travel. The impetus is not inspiration, just a feeling that I better do this. There's something addictive about leading another life at the same time you're living your own." She paused and added: "If you think about it, it's a very strange way to make a living."

The New York Times reports on the changing face of the romance novel genre:

...The landscape is slowly starting to change, as more diverse writers break into the genre, and publishers take chances on love stories that reflect a broader range of experiences and don't always fit the stereotypical girl-meets-boy mold. Forever Yours, an imprint at Grand Central, publishes Karelia Stetz-Waters, who writes romances about lesbian couples. Uzma Jalaluddin's debut novel, Ayesha at Last, takes place in a close-knit immigrant Muslim community in Canada, and features an outspoken Muslim heroine who falls for a more conservative Muslim man, a Darcy to her Lizzie Bennett...

...."Readers want books that reflect the world they live in, and they won't settle for a book about a small town where every single person is white," said Leah Koch, co-owner of the romance bookstore the Ripped Bodice in Culver City, Calif. Last year, six of her store's top 10 best-selling novels were written by authors of color, Ms. Koch said.

Michael Ondaatje's The English Patient (Bloomsbury), the story of an injured, anonymous English WWII pilot and his Italian nurse, has been named the winner of the Golden Man Booker Prize, awarded to the best work of fiction previously awarded the Man Booker Prize over the last 50 years.

In a brief statement released late Tuesday afternoon, Barnes & Noble said CEO Demos Parneros (who had been named CEO in April 2017) had been terminated for "violations of the Company's policies." While not saying what policies Parneros violated, B&N said his termination "is not due to any disagreement with the Company regarding its financial reporting, policies, or practices or any potential fraud relating thereto." In addition to being fired immediately, Parneros will not receive any severance, B&N said. B&N said Parneros's removal was undertaken by its board of directors, who were advised by the law firm Paul, Weiss, Rifkind, Wharton & Garrison LLP.

In his first interview since being accused of inappropriate behavior with women, celebrated novelist Junot Díaz adamantly denied the allegations, including a claim he once "forcibly kissed" writer Zinzi Clemmons.

Díaz, who was awarded the 2008 Pulitzer Prize for his novel The Brief Wondrous Life of Oscar Wao, said he was "distressed," "confused," and "panicked" by the accusations, but insisted he had not bullied the women or been sexually inappropriate.

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Atlas Obscura explains the history behind the, arguably nonsensical, grammar rule about not ending a sentence with a preposition which, "all goes back to 17th-century England and a fusspot named John Dryden":

There are thousands of individual rules for proper grammatical use of any given language; mostly, these are created, and then taught, in order to maximize understanding and minimize confusion. But the English language prohibition against "preposition stranding"--ending a sentence with a preposition like with, at, or of--is not like this. It is a fantastically stupid rule that when followed often has the effect of mangling a sentence. And yet for hundreds of years, schoolchildren have been taught to create disastrously awkward sentences like "With whom did you go?"

...Born in 1631, John Dryden was the most important figure throughout the entire Restoration period of the late 17th century... Dryden twice stated an opposition to preposition stranding. In an afterword for one of his own plays, he criticized Ben Jonson for doing this, saying: "The preposition in the end of the sentence; a common fault with him, and which I have but lately observed in my own writing." Later, in a letter to a young writer who had asked for advice, he wrote: "In the correctness of the English I remember I hinted somewhat of concludding [sic] your sentences with prepositions or conjunctions sometimes, which is not elegant, as in your first sentence."

Dryden does not state why he finds this to be "not elegant." And yet somehow this completely unexplained, tiny criticism, buried in his mountain of works, lodged itself in the grammarian mind, and continued to be taught for hundreds of years later. This casual little comment would arguably be Dryden's most enduring creation.


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