Harry Potter and the Half Blood Prince - A Review
If writing was a religion, it shall be easy to deem 'Harry Potter and the half-blood prince' as the penultimate blasphemy, an utmost sacrilege. A book that discredits its own magnitude, it is a joke in the Queens' English that bravely illustrates the argument for its painful ineptitude.
J.K. Rowling seems to have found the ostentatious airs of a billion dollar grandeur luxurious and tempting, and so overtly has this affected her capability as an author that after scraping off powerful authoritative fictional successes like "The order of the phoenix" and "The Goblet of Fire", she has downgraded her own standards of preferential fiction. "Harry Potter and the half-blood prince", ironically speaking, lacks the magic.
Rowling underscores maturity in her characters and this maturity seems to accompany an intricate and moodily interesting loss of realism. Or is it artistic failure? The dialogues come out as surrealistic even for a surrealistic world like Hogwarts. The book seems to be dependant more on the ratio of its popularity versus its compatibility as a novel. It lacks the individual integrity that places a novel in conjunction with what authors relate to as a total mortality in script; the aggressiveness and energy is averted thoroughly and Rowling seems to be postponing the ideas or concocting ideas that postpone the entire strength of the story-line to what we might perceive will be the subsequent edition. The book seems to be a mere pillar poising the life and breath of the seventh Potter venture. It fails to rejuvenate interest stirred by the earlier specimens, and has more of an exhausted inclination to incite sheer pity for a wasted six hundred pages and a gracious lot of unlimbered bucks.
The book is a disappointment in stages. Anti-climax seems to be the understatement for Rowling's ability. A suspense that harbored on for the past five books seems to have lost the vigor, discipline and focus in the recent book; spontaneity against extreme mystery and the urged justice to delineate a normal hero in paranormal tribulations consolidates what Rowling has in mind for a novel that clearly banks on endless monotony, plot defiance, theme-oriented experimentation, inexcusable character shortcomings, etc. Rowling seems to be playing under her limitations. She seems to be enjoying it, too.
As an author, fictional intercourse with a tension of idiosyncratic subjectivity, has never been Rowling's foremost area of expertise, but the novel convincingly projects the fact that six books old, Rowling still is astonishingly inept, even amateurish. Under the brutal alibi of 'Children's Literature', which the current novel typically and leisurely defies with tinges of what one might term minor profanity, the book passes clear of some very feasible errors in inventive description, a great mishandling of inklings of Gothic and the author's obvious paranoia.
Part Hardy Boys, part Mills and Boons, the gall of the novel surpasses a proper coherency. It works inside a sphere, a particular boundary of solid circumstances supported by bleak and irresistibly weak reasoning; Rowling plays 'safe' with a mass repetition of tried and hackneyed formulas, grossly iterating some of her very own. A prudery, least expected in a narrative of epic proportions.
Also, in an attempt to amuse, a slight assortment of new characters and new elements come into the picture - Rowling's classic technique of steady plot expansion - which again, seem to be hollow and unworthy, adding to a menacing negativity; the attempt seems to be directed at elevating the heroism, proof of her undying motive to sensationalize an ensuing successor to the series.
The book seems more or less a rape of a grand concept and verily, an atrocious, dismaying member of a so far satisfying pedigree. Readers are forewarned to anticipate still more pessimistically.
Any queries? Revert to - firstname.lastname@example.org
In a decision handed down by the U.S. Trade Representative Tuesday morning, Bibles and other religious books were not included on the first list of products imported from China that would be subjected to 10% tariffs starting September 1. Bible publishers were especially worried about the possibility of tariffs on Bibles made in China, since few printers outside of China have the capability of manufacturing Bibles.
Little, Brown, in conjunction with the estate of J.D. Salinger, announced plans to release e-book editions of Salinger's four works of fiction, marking the first time his books have been available in a digital format.
The release of the four books—The Catcher in the Rye, Nine Stories, Franny and Zooey, and Raise High the Roof Beam, Carpenters and Seymour—An Introduction—in e-book editions (with new cover designs) marks a continuing year-long centennial celebration of Salinger's acclaimed works of fiction.
A JRR Tolkien expert working on Amazon's forthcoming multi-series adaptation of Tolkien's work has claimed that Amazon has been refused permission by the estate to use the bulk of the plot from The Lord of the Rings in their $1bn adaptation (predicted to start production in 2020).
Tolkien scholar Tom Shippey, who is supervising the show's development, told German fansite Deutsche Tolkien that the estate has refused to allow the series to be set during any period other than the Second Age of Middle-earth. This means Amazon's adaptation will not cross over at all with events from the Third Age, which were dramatised in Peter Jackson's Oscar-winning trilogy in which the hobbit Frodo Baggins journeys to destroy the One Ring.
Spanning 3,441 years, the Second Age begins after the banishment of the dark lord Morgoth and ends with the first demise of Sauron, Morgoth's servant and the primary villain in The Lord of the Rings, at the hands of an alliance of elves and men.
In The Washington Post, eight black women share their thoughts on the life and work of Toni Morrison, including Michelle Obama:
"..For me and for so many others, Toni Morrison was that first crack in the levee — the one who freed the truth about black lives, sending it rushing out into the world. She showed us the beauty in being our full selves, the necessity of embracing our complications and contradictions. And she didn't just give us permission to share our own stories; she underlined our responsibility to do so. She showed how incomplete the world's narrative was without ours in it..."
Elliott Advisors has completed its purchase of Barnes & Noble. The acquisition was officially completed when more than 81% of B&N's shares were tendered by the August 6 deadline.
As a result of the deal, B&N becomes a private company controlled by the private equity firm Elliott Advisors, which also owns the U.K. bookstore chain Waterstones. As a result of the acquisition, for which Elliott paid $6.50 per share in a deal valued at $683 million, James Daunt, head of Waterstones, will run both the U.K. chain and B&N. B&N founder Len Riggio will have no formal role in company.
Toni Morrison, the 1993 Nobel laureate in literature, whose acclaimed, best-selling work explored black identity in America and in particular the experience of black women, died on Monday in the Bronx. She was 88.
Her death, at Montefiore Medical Center, was announced by her publisher, Alfred A. Knopf. A spokeswoman said the cause was complications of pneumonia. Ms. Morrison lived in Grand View-on-Hudson, N.Y.
President Trump announced yesterday afternoon that he is prepared to impose 10% tariffs on $300 billion worth of goods imported from China in retaliation for what he views as China's failure to follow through on promises to buy more agricultural products from the U.S. and to stop the flow of Fentanyl into the country. The tariffs would be imposed on September 1, and would cover a wide range of consumer products, including virtually all books.
The new tariff threat comes a little more than a month after Trump suspended plans to place 25% tariffs on the same group of products (referred to by the U.S. Trade Representative as List 4) after trade talks with China resumed...
The author of a bestselling Christian guide to relationships for young people has announced that his marriage is over and he has lost his faith.
Joshua Harris, whose biblical guide to relationships I Kissed Dating Goodbye sold nearly 1m copies around the world after it was published in 1997, has also apologized to LGBT+ people for contributing to a "culture of exclusion and bigotry".
Colin A. Palmer, a historian who broadened the understanding of the African diaspora, showing that the American slave trade was only one part of a phenomenon that spanned centuries and influenced cultures worldwide, died on June 20 in Kingston, Jamaica. He was 75.
More than a year after imposing a controversial four month "test" embargo on new release e-books in libraries from its Tor imprint, Macmillan announced today that it will now impose a two month embargo on library e-books across all of the company's imprints.
Under the publisher's new digital terms of sale for libraries, "library systems" will be now be allowed to purchase a single—that is, one—perpetual access e-book during the first eight weeks of publication for each new Macmillan release, at half price ($30). Additional copies will then be available at full price (generally $60 for new releases) after the eight-week window has passed. All other terms remain the same...
Macmillan is now the fourth Big Five publisher to change its terms for digital content in libraries in recent months—but its changes, and the views expressed by Macmillan CEO John Sargent, are by far the most unique and contentious of the group. In a July 25 memo (addressed to authors, illustrators, and agents), Sargent not only delivered the news of Macmillan's library e-book changes, he basically called out libraries for depressing author payments...