Undercurrent Blues Has A Rhythm of Its Own - Poetry Book Review
On July 17, 2005 Cahuenga Press released Undercurrent Blues by James Cushing (Cahuenga is a cooperative press and Undercurrent Blues is the 14th book they have published since their inception in 1989). The collection includes poems written from 1989 through 1991 and 1997 through 2002. If you're like me, you immediately ask where 1992 through 1996 went. Mr. Cushing explains the skip in time in his Author's Note at the beginning of the book. Basically, the poetry included reflects the first 25 years of his writing life.
In Undercurrent Blues, The poems from 1989 through 1991 are from Mr. Cushing's first book, You and the Night and the Music published by Cahuenga Press in 1991. The titles and poems are inspired by 20th Century American songs that have become jazz standards. In Fly Me to the Moon Mr. Cushing's lyrical style matches the desire for transport in that old standard but he offers us a deeper yearning in his stanzas.
We picked roles (insomniac shepherd, complaining nymph) from
a basket of fruit. Orisons rise from every third house, a glow like
a broadcast ending, and we wanted this, to live near the sun, that
constant burnt offering.
His poetry from 1997 through 2002 is a reaction to the death of both parents and the end of his second marriage - to put it in the author's words "darker stimulation". In spite of the dark stimulation, these poems have a sly sense of humor, an acceptance of life's slings and arrows. Of these, The Turn of April shows the author's recovering hope:
I think we are moving, slowly and patiently,
within a great walled garden along an eastern path,
and I think I can assume we keep walking, lightly
and with kindness, until the garden ends, and we fall off the edge
where the next dream begins in a rush of kisses and cameras.
Undercurrent Blues by James Cushing asserts that music shapes us but also encourages the reader to play with its rhythms in order to fully incorporate its influence on our psyche. In the second half of the book, Mr. Cushing acknowledges the darker moments of life but offers hope and a bit of a lesson in maintaining one's sense of humor.
Sanora is a co-creator and founder of www.LAwritersgroup.com">http://www.LAwritersgroup.com. She received her Bachelor of Fine Arts degree from North Dakota State University. From 1995-2001, she studied under Cathy Colman ("Borrowed Dress") in her Unleash the Writer Within workshops and was included in her Master Poetry Class in 1996 and 1997. In April 1997 she won a Poetry Reading contest sponsored by Borders. In 2000 she studied under Ron Koertge ("Making Love to Roget's Wife") in Pasadena. She was one of several featured poets at scheduled readings at Midnight Special Book Store in Santa Monica, The Rose Café in Venice, CA and Projectile Poetry. She has taken part in several open mike readings in the Los Angeles area and believes poetry is meant to be spoken as well as read. Two of her poems, Elegy and Untouchable, appeared in the 20th edition of Wordwrights! magazine. Sanora is currently working on her Master of Professional Writing degree at the University of Southern California.
David Lagercrantz, who continued Stieg Larsson's Milllennium series after the latter's death in 2004, has stated that he will write just one more book in the series, to be released in 2019. This would bring the series to six books - three by Larsson and three by Lagercrantz.
In an op ed for the New York Times, Matt A.V. Chaban, policy director for the Center for an Urban Future, discusses how libraries in New York City, and potentially, in cities across the country, could find much needed funds to modernize and stay relevant for the long term through partnerships with housing and office developments:
"In 2014, the city selected the Fifth Avenue Committee to undertake the novel task of redeveloping the Sunset Park branch. There, an eight-story building will rise, with the first two floors dedicated to a library 75 percent larger than the one there now. The floors above will have 49 apartments, all of which will be rented to low- and middle-income families in perpetuity.
Imagine if the city did the same at the branch in Corona, Queens, where cramped quarters force study groups to huddle on the floor; or Red Hook, Brooklyn, where families from the nearby housing projects are eager for more job training; or Brighton Beach, Brooklyn, where rising sea levels and storms like Sandy threaten its very operations."
Two TV series based on books scooped the top honors at last night's Emmy Awards:
The Handmaid's Tale won five awards including best drama series, best actress for Elisabeth Moss and best supporting actress for Ann Dowd.
Big Little Lies took five prizes in the limited series categories, including wins for Nicole Kidman and Laura Dern.
James Hohmann, national political correspondent for The Washington Post and author of The Daily 202, leads Monday's issue with a look at the many books Hillary Clinton turned to after her election loss:
"What Happened was quickly strip-mined for political nuggets after its publication last Tuesday. As I went through it over the weekend, though, what struck me most was how the wounded Democrat coped after her crushing defeat last November.
In short, Clinton has read voraciously and eclectically for escape, for solace and for answers.
The collection of works that she cites across 494 pages showcases a top-flight intellect and would make for a compelling graduate school seminar..."
The widow and the biographer of the beloved British children's writer Roald Dahl told the BBC in an interview this week that Charlie Bucket, the young boy whose life is changed by a golden ticket in Charlie and the Chocolate Factory, was originally supposed to be black.
Mrs. Dahl made the remark during a conversation with Donald Sturrock, her husband's biographer, on BBC Radio 4's "Today" program. "It was his agent who thought it was a bad idea when the book was first published to have a black hero," Mr. Sturrock said. "She said people would ask why."
After a nine month dispute, Manhattan's Federal District Court has ruled that Matthew Lombardo's theatrical parody, Who's Holiday! a dark and decidedly adult sequel of sorts to Dr Seuss's How the Grinch Stole Christmas does not violate the copyright of the original story.
Politico reports on how America's high school English teachers are adapting curriculum to the current political climate:
After watching the tumult of the 2016 presidential election play out inside their classrooms last year, and after a summer of hate-filled violence, many are retooling the reading lists and assignments they typically give their students. They worry that the classic high school canon doesn't sufficiently cover today's most pressing themesquestions about alienation and empathy and powerand that the usual writing prompts aren't enough to get students thinking deeper than an average cable news segment...
Stephen King's record-breaking horror film "It" may already be a hit with audiences, but one group is not celebrating the success of the latest adaptation of Stephen King's novel: clowns.
For a community already struggling to combat perceptions of clowns as scary rather than fun, the emergence of Pennywise, the movie's child-killing clown villain, played by Swedish actor Bill Skarsgard is truly the stuff of nightmares. Even before the film's release the World Clown Association was warning that the film could cause its members to lose work, even going as far as publishing a press kit to prepare clowns for the damaging effects It might have on their reputations.
The many sides of one of the UK's most beloved fantasy authors are reflected in an exhibition called Terry Pratchett: HisWorld, which opened this weekend at Salisbury Museum, not far from Terry Pratchett's Wiltshire (UK) "manorette" where he died in March 2015.
The memorabilia is as eclectic as the author's writing, from his first typewriter a manual Imperial 58 bought secondhand for £14 to his trademark leather jacket and Louisiana fedora.
The $1.2 trillion FY2018 budget bill (H.R. 3354), which passed by a 211-198 margin, includes full funding for the Institute of Museum and Library Services (IMLS), including all programs administered under the Library Services and Technology Act (LSTA), as well as the Department of Education's Innovative Approaches to Literacy (IAL) program.
The vote comes after the House Appropriations Committee in July approved a Labor, Health and Human Services, and Education (LHHS) funding bill which proposed roughly $231 million for the IMLS, including $183.6 million for LSTA, programs, and $27 million for IALessentially level with 2017 funding. In addition, the bill passed yesterday also increased funding for the National Library of Medicine by $6 million.
In addition to voting to preserve federal library funding, the House bill also would save the National Endowments for the Arts, and Humanities, which are funded as part of the FY2018 Interior and Environment Appropriations bill.
The House vote caps an intense lobbying effort, and comes after President Trump in May doubled down on his call to eliminate the IMLS and virtually all federal funding for libraries, as well as a host of other vital programs and agencies.....