Dark Autumn - Book Review


"Now this could definitely be a movie! Dark Autumn is fantastic action-packed futuristic thriller that had me riveted for days. The energy was kept very high throughout the book.

Occasionally Clint Dunshee's characters performed seemingly super-human tasks, similar to James Bond or Dirk Pitt. However, the reader is also shown their flaws and the strength of intimate friendships - bonds that are so deep they are willing to risk their lives for them. The abilities of these characters are made more believable because of the incredibly difficult training scenarios the author leads the reader through.

The theme is set in the future when space travel and space science is a part of life. Earth is contacted from another planet when one of the science probes is picked up by alien humans. As it turns out Earth is only one of hundreds of planets with intelligent life, only some were human. Many planets in the universe helped bring Earth's technology up to par in exchange for the planet's rich agriculture and minerals. Most planets worked on a good trade relation in relative peace, but the trouble-making Marvonians were on the edge of acceptance. This planet took it upon themselves to steal from Earth and attack their ships within a few light years of Marvon.

The main characters of the book, Alan, Bill, Carrie, Julie and Angela are all highly intelligent youth that are singled out for highly trained positions. Despite their youth and inexperience, they were considered Earth's only chance to avoid a war with a technologically superior race. Bounty hunters and sabotage plays a part in a deadly scavenger hunt while plans are laid to rescue the hostages held by Marvonians. Earth has a chance to destroy their image of being a young planet and elevate into more sophisticated, honorable one that the other planets can respect and hold trade with more readily.

In order to do this, Earth must play the game carefully and honorably - at the same time the team must eliminate the dangerous problems with Marvon and free the Earthling prisoners before it is too late.

I believe this book deserves the highest ratings and I would recommend it to anyone, anytime, anywhere."

Publisher: Publish America, Inc.
ISBN#: 1413750923
Author: Clint Dunshee

~ Lillian Brummet - Book Reviewer - Co-author of the book Trash Talk, a guide for anyone concerned about his or her impact on the environment ­ Author of Towards Understanding, a collection of poetry.
www.sunshinecable.com/~drumit" target="_new">http://www.sunshinecable.com/~drumit


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..."In short, published material is the basis of 52% of top UK films in the last 10 years, and accounts for an even higher share of revenue from these leading performers, at 61% of UK box office gross and 65% of worldwide gross," the report reads.

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There are thousands of individual rules for proper grammatical use of any given language; mostly, these are created, and then taught, in order to maximize understanding and minimize confusion. But the English language prohibition against "preposition stranding"--ending a sentence with a preposition like with, at, or of--is not like this. It is a fantastically stupid rule that when followed often has the effect of mangling a sentence. And yet for hundreds of years, schoolchildren have been taught to create disastrously awkward sentences like "With whom did you go?"

...Born in 1631, John Dryden was the most important figure throughout the entire Restoration period of the late 17th century... Dryden twice stated an opposition to preposition stranding. In an afterword for one of his own plays, he criticized Ben Jonson for doing this, saying: "The preposition in the end of the sentence; a common fault with him, and which I have but lately observed in my own writing." Later, in a letter to a young writer who had asked for advice, he wrote: "In the correctness of the English I remember I hinted somewhat of concludding [sic] your sentences with prepositions or conjunctions sometimes, which is not elegant, as in your first sentence."

Dryden does not state why he finds this to be "not elegant." And yet somehow this completely unexplained, tiny criticism, buried in his mountain of works, lodged itself in the grammarian mind, and continued to be taught for hundreds of years later. This casual little comment would arguably be Dryden's most enduring creation.


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