Sorat and the Modern Day Evil
"Sorat's evil will be spread by his infernal army of soulless followers, willing to give their lives for his pleasure in subjecting mankind to horror of the ultimate magnitude."
The above mentioned quote summarizes one of the main themes in Hearne's political thriller, "Hulagu's Web". The book suggests that much of the horror, destruction and mayhem that happen in the contemporary world are explained by the endeavors of Sorat, Lucifer's terrifying accomplice. It is said that Sorat incarnates every 666 years. 1998 would therefore be the year of his last manifestation. Coincidently, it is the same year that Usama Bin Ladin and his associates publicly declared their Jihad against the West with blatant orders such as "We - with Allah's help - call on every Muslim who believes in Allah and wishes to be rewarded to comply with Allah's order to kill the Americans and plunder their money wherever and whenever they find it."
In his "Book of Revelation and the Work of the Priest", Rudolf Steiner describes Abaddon's attack on humanity. Abaddon (translated 'destroyer') is a demonic being born out of the abyss to lead an army of locusts with human-like faces. Rudolf Steiner explains the occult significance of this picture by suggesting that Abaddon's army consists of human beings who have been completely deprived of their ego. Sorat can rule on Earth by populating the empty shells of such people with the spirits that serve him. This infernal army would subject mankind to trials compared to which all the horrors of the twentieth century would pale. Coincidently again, Abaddon is referred to in Revelation 9-11, the same date that is now synonymous with the destruction of the twin towers and the attack on the pentagon.
Sorat is described as the strongest power against good. To accomplish his desire of destroying the earth, Sorat would manifest his evil in the social evolution. The wars and mass murders of our time are evidence of his corruption.
The fanatism and the everyday hatred of man against man are evils often disguised as religious dedication and nationalism. Sorat would bend people to his will by using the influence of leaders, be them political or religious. Sorat's alleged power lies in the ability to make followers believe that what they do for their fanatic leaders is right. As David J. Hearne says "the goal of this demon is to strip humans of their souls, egos and all goodness." Sorat could make horrible acts virtually impossible to eradicate once people become unable to recognize actions as evil.
The video of a hostage being beheaded in Iraq is an example of the horror mankind is subject to. It shows how much influence such a leader can have over others. He would stay back from his disciples, as he directs them to behead the hostage. Whenever the men holding the prisoner looked uncertain, the leader would convince them that what they were doing was the just thing. The scene appears to be a struggle between the leader (persuading) and the followers (resisting). The film shows how the power of evil can pervert people's senses to such a degree that destruction and horror replace the goodness and compassion in their souls.
The seductive powers of darkness act by using people's vulnerability and weaknesses against them. Terrorists claim their actions are for their love of God. Most of them believe that what they are doing is right. Someone who they see as a prophet or a messenger leads them to believe that they act in God's will. This messenger is trusted and considered more important than their own lives. Sorat would exploit these people to "give their lives for his pleasure in subjecting mankind to horror of the ultimate magnitude," as mentioned in Hulagu's Web.
It is difficult to understand why well-intentioned, logically thinking people fall into such traps. How can one induce another to become a suicide bomber willing to die for some obscure cause and kill other innocent people? How can the human mind become so clouded and susceptible to such evil and debasing acts? The answer lies in the fact that many people need something or someone to believe in. Sorat and his progeny would use this weakness to lead those susceptible to their influence. The reasons for their acts are masked, people follow because they need to believe and fail to ask themselves a rational explanation for what they are made to do. Nevertheless, if people saw the true intentions behind these schemes they would not follow. Evil exists as long it disguises itself.
Sorat could only maintain his power by distorting the way people perceive what is good. He would reduce each individual to his level - an entity without soul or conscious. His ultimate objective is to alter the human existence by spreading destruction and misery. Eradicating mercy, benevolence, compassion and humanity (most needed qualities that Christ himself advocated) is the only way Sorat can achieve his goals.
Becherete Adrian (is currently studying management marketing...) believes in the unlimited potential of the human mind and that constant evolution is impossible without striving to understand reality and distinguishing between the meanings of good and evil.
David Lagercrantz, who continued Stieg Larsson's Milllennium series after the latter's death in 2004, has stated that he will write just one more book in the series, to be released in 2019. This would bring the series to six books - three by Larsson and three by Lagercrantz.
In an op ed for the New York Times, Matt A.V. Chaban, policy director for the Center for an Urban Future, discusses how libraries in New York City, and potentially, in cities across the country, could find much needed funds to modernize and stay relevant for the long term through partnerships with housing and office developments:
"In 2014, the city selected the Fifth Avenue Committee to undertake the novel task of redeveloping the Sunset Park branch. There, an eight-story building will rise, with the first two floors dedicated to a library 75 percent larger than the one there now. The floors above will have 49 apartments, all of which will be rented to low- and middle-income families in perpetuity.
Imagine if the city did the same at the branch in Corona, Queens, where cramped quarters force study groups to huddle on the floor; or Red Hook, Brooklyn, where families from the nearby housing projects are eager for more job training; or Brighton Beach, Brooklyn, where rising sea levels and storms like Sandy threaten its very operations."
Two TV series based on books scooped the top honors at last night's Emmy Awards:
The Handmaid's Tale won five awards including best drama series, best actress for Elisabeth Moss and best supporting actress for Ann Dowd.
Big Little Lies took five prizes in the limited series categories, including wins for Nicole Kidman and Laura Dern.
James Hohmann, national political correspondent for The Washington Post and author of The Daily 202, leads Monday's issue with a look at the many books Hillary Clinton turned to after her election loss:
"What Happened was quickly strip-mined for political nuggets after its publication last Tuesday. As I went through it over the weekend, though, what struck me most was how the wounded Democrat coped after her crushing defeat last November.
In short, Clinton has read voraciously and eclectically for escape, for solace and for answers.
The collection of works that she cites across 494 pages showcases a top-flight intellect and would make for a compelling graduate school seminar..."
The widow and the biographer of the beloved British children's writer Roald Dahl told the BBC in an interview this week that Charlie Bucket, the young boy whose life is changed by a golden ticket in Charlie and the Chocolate Factory, was originally supposed to be black.
Mrs. Dahl made the remark during a conversation with Donald Sturrock, her husband's biographer, on BBC Radio 4's "Today" program. "It was his agent who thought it was a bad idea when the book was first published to have a black hero," Mr. Sturrock said. "She said people would ask why."
After a nine month dispute, Manhattan's Federal District Court has ruled that Matthew Lombardo's theatrical parody, Who's Holiday! a dark and decidedly adult sequel of sorts to Dr Seuss's How the Grinch Stole Christmas does not violate the copyright of the original story.
Politico reports on how America's high school English teachers are adapting curriculum to the current political climate:
After watching the tumult of the 2016 presidential election play out inside their classrooms last year, and after a summer of hate-filled violence, many are retooling the reading lists and assignments they typically give their students. They worry that the classic high school canon doesn't sufficiently cover today's most pressing themesquestions about alienation and empathy and powerand that the usual writing prompts aren't enough to get students thinking deeper than an average cable news segment...
Stephen King's record-breaking horror film "It" may already be a hit with audiences, but one group is not celebrating the success of the latest adaptation of Stephen King's novel: clowns.
For a community already struggling to combat perceptions of clowns as scary rather than fun, the emergence of Pennywise, the movie's child-killing clown villain, played by Swedish actor Bill Skarsgard is truly the stuff of nightmares. Even before the film's release the World Clown Association was warning that the film could cause its members to lose work, even going as far as publishing a press kit to prepare clowns for the damaging effects It might have on their reputations.
The many sides of one of the UK's most beloved fantasy authors are reflected in an exhibition called Terry Pratchett: HisWorld, which opened this weekend at Salisbury Museum, not far from Terry Pratchett's Wiltshire (UK) "manorette" where he died in March 2015.
The memorabilia is as eclectic as the author's writing, from his first typewriter a manual Imperial 58 bought secondhand for £14 to his trademark leather jacket and Louisiana fedora.
The $1.2 trillion FY2018 budget bill (H.R. 3354), which passed by a 211-198 margin, includes full funding for the Institute of Museum and Library Services (IMLS), including all programs administered under the Library Services and Technology Act (LSTA), as well as the Department of Education's Innovative Approaches to Literacy (IAL) program.
The vote comes after the House Appropriations Committee in July approved a Labor, Health and Human Services, and Education (LHHS) funding bill which proposed roughly $231 million for the IMLS, including $183.6 million for LSTA, programs, and $27 million for IALessentially level with 2017 funding. In addition, the bill passed yesterday also increased funding for the National Library of Medicine by $6 million.
In addition to voting to preserve federal library funding, the House bill also would save the National Endowments for the Arts, and Humanities, which are funded as part of the FY2018 Interior and Environment Appropriations bill.
The House vote caps an intense lobbying effort, and comes after President Trump in May doubled down on his call to eliminate the IMLS and virtually all federal funding for libraries, as well as a host of other vital programs and agencies.....